Art by Mary Rochelle Burnham

Eve of The Raven , Oil, 7x5", SOLD "Native North American tribes saw the raven as the bringer of light. In fact, southwestern tribes (Hopi, Navajo, Zuni) felt the raven flew out from the dark womb of the cosmos, and with it brought the light of the sun (dawning of understanding). Consequently, the raven is considered a venerated bird of creation, for without the raven, humans would forever live in darkness."

Whip Cream Evening Clouds , Oil, 5x7" NFS I am having fun with painting skies and in particular clouds. I love the dramatic formations of clouds building before a storm. To be given away at Daily Paintworks.

October Nightscape , Oil, 5x7", SOLD My first night painting. My aim was to capture the mystery of the full moon rising on an October eve.

Summer Sky , Oil, 5x7" This scene is from our property in Manchester, MI. Last summer a storm was building as the sun was getting low in the sky. I must of taken a hundred photos. I love cloud formations and we had some beauties here in Arizona. Be watching for more from me!

A Cry for Freedom , Oil 7x5", available Inspired by the Daily Paintworks Challenge, "A Cry for Freedom" is my small painting, that reflects my deeply held personal conviction. I thank God every day that I am blessed to have been born in our great nation, with our multitude of freedoms. I am proud to be an American.

Seaside Seagull , Oil, 5x7", available I took a loose impressionistic approach with my gull. I learn a little more with each painting I do. I have been busy with commission work lately, and its nice to find the time to try out ideas and new methods.

Broken Egg II , Oil, 5x7", SOLD I don't know why I decided to use a different technique to paint this egg. I tend to be an intuitive artist, allowing my unconscious to direct me. I was very happy with yesterday's direct approach and I am equally happy with today's result using layers. Following are photos I took of my process: Stage One: I toned the panel with a combination of cadmium red light and yellow ochre. I added a small amount of indian red to draw with and to add shadows. I lifted color using my brush and mineral spirits for the lights. Stage Two: Here I added darks with ultramarine blue, manganese violet and Van dyke brown Stage Three: I begin the mid-tones of the background scumbling with ultramarine blue, manganese violet, prussian blue, white, naples yellow and alizarin crimson. Stage Four: I add cadmium red light, cadmium yellow light and zinc yellow primarily in the yolk of the egg. I combined these colors with yellow