Posts

Open Figure Session, September 28, 2011

Image
Marjorie , Oil, 12 x 9" SOLD Marjorie was our wonderful model, yesterday. I was so happy with her choice of the red top as it reflected plenty of warmth into her skin. The walls of the art center are a very cool white and yesterday was overcast, adding additional coolness. Everyone kind of got a late start, so with breaks, I painted this in about two hours. Doesn't seem to matter how early I get there, time just seems to get the better of me. The upside is that I don't seem to be over thinking my approach. I had a warm reddish brown tone on this board and it seemed to really help to paint the portrait quickly. You can see it particularly in the blouse.

Open Figure Session, September 7, 2011

Image
Sedona Bound , Oil, 11 x 14" SOLD I love this guy! He's so funny, talented, easy going. He kind of has a bit of a nut job for a wife, but hey, nobody's perfect. Rich was our model yesterday at our Open Figure Session. I have painted him a time or two and every time I do, I think I get a little better at it. I love the far away look in his eyes and the shadow on the wall. The unfinished shirt with the red underneath, seems to point the viewer straight to the face while giving a nice texture. What do you think?

Open Figure Session, August 3, 2011

Image
Portrait of an Artist,  Carbon Pencil, 14x11" Dick is a fellow artist and member of the Jackson Civic Art Association. You can see a gorgeous piece of his pen & ink art, "Sudden Encounter", on the JCAA website . It is always a pleasure to have Dick as a model, as he has so much character, both as a model and a person. I have used him many times in my workshops and classes. Here is a quick computer sketch that I did of him a few months ago: Dick Stanton, Painter IX  And, on a similar note, here is a quickie pencil sketch that I did while sitting at my computer, from a Google image of Drew Barrymore awhile back: Drew, Pencil, 4.5x4.5 Something about the act of drawing that I find both soothing and stimulating. Sounds a bit like an oxymoron, but I feel so relaxed while drawing and totaling engaged, simultaneously. How about you?

The Nature's Arrangement Challenge

Image
Started From Seed, Acrylic, 6x6", SOLD This is a  Daily Paintworks Challenge  posted by   James Coulter . The directions are as follows: For this challenge you'll have to go outside (yes, even if it's hot). Choose some flowers on the ground and stand from one to six feet away from them. Use only these colors: Ultra Blue, Cad Yellow Med (or Lt), Cad Rd Lt and white. Limit your painting time to one hour (don't cheat!). Using only three brush sizes (large, med and small) start with a large brush and cover the canvas with thin paint (not runny), getting most of the large, dark areas blocked in. Then work dark to light, thin to thick. Have a focal point with darker darks, lighter lights, more intense color, thicker paint and fewer sharper edges. The rest of the painting should support that area with less visual energy (softer edges, less intense colors, less contrast). Use the smallest brush only at the end and in the focal area only (last 15 minutes). Use a value

Open Figure Session, July 27, 2011

Image
Shadow Play,  Charcoal, 12x12" I love this poise at today's Open Figure Studio. I have been working on oil and acrylic paintings for the last few weeks, in my own studio, so its a nice departure to work with charcoal. Pat is a great model that holds very still and is a wonderful photographer in her own right.

Open Figure Session, July 20, 2011

Image
The Heart Shape Pendant , Carbon Pencil, 14x11 It might of been sweltering hot outside, but we were as cool as cucumbers at our Open Figure Studio. Linda, our model, brought in fresh picked blueberries and we drew and painted to soft music. It's so nice to spend an afternoon with fellow artists doing our thing.

Open Figure Session, July 13, 2011

Image
Ben , Oil, 14x11" Ben graciously accepted my request to be our model for Open Figure Studio. I bet his mother wishes that she could get him to sit as quiet and as still as he did for us! I had not touched my oils in about 4 or five weeks due to many other commitments. I do, however, draw, sketch or paint almost everyday. I had a little trepidation and had actually given myself permission to not push myself. Well, from the moment my brush touched my panel I got totally lost in the joy of what I was doing. Mmmmm, maybe that is what I need to practice everyday. Just letting go and having fun in the process of doing!